back again

About finished with Tin Star, a pilot for a proposed TNT western series. If all goes well then there will be continuing gainful employment for at least some of the film community here. Keep them (us) off the streets.

Lone Ranger is crewing up in ABQ, taking over the studios. Building an Old Western town to the south of the state as well. Working on a big show can be like working in a factory, an artistic, creative factory but a factory still. I probably haven’t worked my last big movie but I prefer small shows with lots of room in between for family, friends, art and travel. The exceptions to that rule being Muppets in Space and Elmo in Grouchland, which were delightful experiences. Below is a picture of my emotional state upon finishing some shows. This show.

I found the calf in Venezuela, in Merida, up in the mountains. It made quite an impression on me.

I wonder, continue this blog, or set it free?

oil on masonite, 2′ x 4′, 2005?

Posted in Elmo in Grouchland, film and television, film work, Gypsy Movie Trash, Lone Ranger, Merida, Muppets from Space, scenic artist, set painting, Tin Star, Venezuela | 3 Comments

Rest in Peace, Troy Davis

Troy Davis, Born October 9th, 1968. Killed at the stubborn whim of the state of Georgia September 21, 2011.

Posted in Uncategorized | 3 Comments

looking for lost etching press

Kelton etching press

Kelton etching press, missing in action

Hello, my Wilmington NC, ex-creative community (Printmakers in particular!). I seem to have misplaced a very large (6 ft wheel), very heavy (burned out the clutch in my truck driving it down from Boston) and very old (120 years, plus or minus a few) etching press. This press was (if I recall) manufactured by M. M. Kelton Co, (Brooklyn ?) New York, in the late nineteenth century.

It was last seen at The Independent Art Company gallery. Someone asked to borrow it and I said ok. Later we took a 3 month gig in New Mexico that turned into 5 years and I managed to lose track of it. Recently I have needed access to a press and I remembered – everything except who I loaned it too. If anyone knows the whereabouts of this old, large, heavy, beautiful object please email me at rickmobbs.gmail.com or call: 910-233-2497. Thanks you so much. I miss your faces. See you soon, I hope.

Posted in etching and engraving, Kelton etching press, lost and found, lost Kelton press, MM Kelton Sons Brooklyn New York, Wilmington NC printmakers | 3 Comments

Glenn Buttkus writes again

Ada at two, standing in front of a jumble of scenes pulled from a full life, just like with Glenn’s Poem I posted below. Now she’s two and a half and painting. A firecracker, born on the 4th of July. The picture caught my attention when I was looking for an image to accompany Glen’s writing.

How They Found Me

steinbeck lost dog
women red roaring
skin bukowski cream
tour bra-flinging pow-wow
drake headstone nicholas tilt
moon mountain gods foot
old field school bus
weeping blood soldier
winged dance ballet laces
naked cat sonata
crazy cornflakes
gleason sleep number
aging mirror twin wrinkles
salmon toss trash talking
sphincter blues tacoma pier
bear lips bledsoe
broadsword bare nipples
whistle train sadness
byrd leg panties paso
egypt fist square sun
burroughs bath house break
zone creek serling owl
zelda doll cancer flowers
police poem handcuffed words
saxophone harjo tattoo tulsa
cd funsterville motorcycle lyrics
fidelo butt rash ride
pine violin ferrari bus
hilo bacon bungalow bobbing
picasso pears franco figs
fringed custer flight goggles
raven ranch poe park
eagle drive-in talon fort
poetics joyous morning meal.

Glenn Buttkus

February 2011

Glen’s blog is bibliosity. Check it out to see many more examples of his work and the work of his friends. You can also listen to him read his work there, and visit his marvelous image collections. And I have to say check out his On Patrol for a mind-blowing piece of writing. No soft or happy pictures there.

“What do I see? I see a barefoot angel looking at me. Also a snake. Where did that snake come from? And these red shoes? I would like one final blessing before heading out to cross that Supernatural Bridge, please.”

 

Posted in "...where danger is there arises salvation also...", ada corinna, bibliosity, dinky-dau, glenn buttkus, image collections, memory, On Patrol, storybook collaborative, supernatural bridges, Vietnam War | 4 Comments

Yemaya’s Children – the Orishas return

Another story from Damyanti in response to the image I put up as a writing prompt for her. I never know what will spark her writing or the direction it will take, but I am always delighted to read what comes out. She brings a magical sensibility and a chameleon-like ability to diffuse into the story and disappear until surprise! she opens her eyes and I see what she sees.

The picture she used is from a scroll (4′ x 25′) of connected-by-theme paintings which I later cut apart and stretched separately. I saw them as creation myths. This image was the first in the series. It is about 3.5′ x 4′. I used acrylic lay-in colors finished with oil glazes on printed linen (image painted on the reverse as the pattern’s bleed-through produces a more subtle background – also, no scotch-guard protective film on back). I’m glad Damyanti showed up to write the stories. Here is her story.


Yemaya’s Children

Quit swimming in the air, Kenny tells them, air is no place for fish.

But they refuse to listen.

During the day they forage amid the plants in their aquarium, driving him crazy most weeks because no sooner than he puts in a half-decent plant in their aquarium they set about ripping it apart. The Singapore Aquaria, set above the sparkling, man-made Sentosa beach, likes each of its aquariums to look as neat and well-groomed as Singapore parks, gardens, people and government. If Kenny, a Filipino, is to survive here he has to make sure the Blue Tialpia behave.

But the Tilapia do not know about the obsession for order that hovers about them.

Each moonlit night they rise from their aquarium, and before Kenny’s helpless eyes, they rise into the blue ether, taking their time.

Quit swimming in the air, come back here, Kenny orders them, or they’ll fire my ass.

The Yemaya will protect you, the Tilapia babble in a chorus, like precocious children. She is the mother of all us Orishas, the most powerful guardians of old, and of the lands, the rivers, and the ocean. She is our mother and yours, too.

I know who is my mother and she is back home sleeping in the Philippines, come back now or I’ll lose my job and she’ll starve, pleads Kenny, hiking up the pants that have slipped below his belly.

We’re the children of Yemaya, the now-faint fish voices rain down from the moonlit sky above the blue-black ocean, and the red-rimmed moon is our home.  Our job is to send dreams and desire to all creation, mate day with night, turn up in the dreams of newly-weds on land and in the sea, multiply the children of Yemaya.

If you’re so powerful, why do you swim about like a bunch of common fish in an aquarium? Come back down, air is no place for fish.

If fish do not belong in air, do you belong in this country of another, cleaning muck where you could have planted fields back home?

Kenny has no answer. The Blue Tilapia rise and fade till he can see them no more, they go home.

The next morning, Kenny does the same.

Posted in character, Damyanti Ghosh, damyantiwrites, ekphrasis, fiction, fish, image prompts, lucid dreaming, picture prompts, speed-writing, the Orishas, Uncategorized, writing, writing prompts, Yemaya's Children | Tagged , , , , , | 2 Comments

Damyanti Writes

I lifted Damyanti’s story from her blog, the Daily (w)rite : a daily ritual of writing. She wrote the story from the image I put up Feb 3rd. She spins amazing stories out of just about anything, just for exercise. I’ve known her maybe three years now and she just keeps going, and going, and going.

Meet Anna Williams and her hats, everybody.

Once you wear your hat you’ve gotta keep it on, they tell Anna, you have to become a legend because that is why you were born. Everyone in your family has done it. We married into it, Annie-girl, we bought it, traded it, bred it, so just you go ahead up on the stage and spit it out, and no matter what they’ll recognize it, because we wrote it into your chromosomes, baby, just go ahead, all right? Keep your hat on and you’ll be okay, they say, and give her a shove.

That was ten years ago and now she walks tall, a hard-headed girl, wearing many hats, a singer, songwriter, seductress, dancer, actress, diva, designer. A legend in the making, they say, we told you Anna-darling, just listen to us , they say, just keep your hat on and you’ll do well.

Sometimes though, she wears all of the hats together, and that’s when she has the most fun, though neither them nor anyone else knows it. To shrill whistles and hoarse cat-calls, under flashing strobe lights, surrounded by stale perfume, cigar smoke, and beer fumes, Anna purls her much-insured body the color of midnight, that otherwise appears on screen in flashes, covered by iron-clad contracts.

She wears a mask as she twirls around the cold, hard pole, and her hats–one hat upon the other– a red hat with tassels, an oriental hat with ostrich feathers, a fedora a top-hat, a blue balaclava, a wretched beanie embroidered with pearls, never letting any of them fall as she moves.

The elderly men in loosened, delirious ties do not know what awesome return-on-investment the cash they drop at the bar brings them. Anna Williams in the flesh, all of it on display.

Anna breathes in her freedom as she raises her leg strapped to stilettoes, she smells her abandonment in the upturn of her arms and the hardening of her nipples, in the bracing of her stomach she finds the strength of her spirit.

I have kept my hats on, Mom, Dad, I’m okay, Anna mutters under her breath as she whirls, eyes flaming. Glued to her head by the power of her will, her hats tilt, sway, but do not fall. Because once you wear a hat, baby, you better keep it on.

Posted in art, Daily (w)rite, Damyanti Ghosh, ekphrasis, hat chick, image prompts, painting, poetry, stories | Leave a comment

Creation Myth # 12

Two for Damyanti Ghosh, who requested image prompts. Survey her work at http://damyantiwrites.wordpress.com/ This drawing is of my niece, McKenzie Jones, when she was a teen-ager. Not so long ago…

 

At one time I was putting up new images every thursday as prompts for writers. Those prompts are still up and available. They are archived – along with the collaborations – at http://rickmobbs.wordpress.com/the-storybook-collaborative/

This second image is from a scroll of creation myths. This was the first in the series. The size is about 3.5′ x 4′, acrylic lay-in finished with oil glazes on printed linen (image painted on the reverse where the bleed of pattern became a more subtle background).

If you write something be sure to leave a comment and a link back to your work so others can enjoy it also!

Posted in art, collaborative storybook, creation myth, creative process, Damyanti Ghosh, damyantiwrites, ekphrasis, image prompts, McKenzie Jones, poetry, stories | 9 Comments

able, reasonable, experienced, available on short notice

newmexicostoryboards.wordpress.com

What is it about self-promotion and competition? Everybody says it is necessary for the artist but most of us hate it. Resume and availability now up on new website. Lots of varied experience in film and TV on the East Coast but out here in New Mexico I am mostly known as an able, experienced, multi-talented, creaky old set painter. I guess I have to let people know what else I can do. Check out new mexico storyboards. Let me know what you think please!

Posted in art for film and tv, competition, concept art, idea generation, illustration, new mexico storyboards and art to go, old school..., sculptor, self-promotion, storyboard artist | Leave a comment

She came, she bathed, I asked

(A reworking of a poem I wrote in a time of rooming houses, everyday visions, clawfooted bathtubs, visiting friends, tribal ghosts and protectors and conversations with god on the Dorchester Avenue bus as S/HE and I tried to figure out what the heck it was all about.)

She came, she bathed, I asked, “Are you an augury of love? Or love itself?”

At that she laughed, she made a splash. I soaped her shoulders, soaped her back. Downstairs the doorway cracked, the stairway creaked and in the sudden draft I saw the legions tramp across her back. Tramp through water running from my hands across her back, tramp through running soapsuds, tramp, tramp, tramp tramp.

I watched the cohorts shift formations, listened to the tiny shouts, the rattling chains, bucklers and belts, the steaming snorts of the calvary mounts.

Under glint-eyed standards, each man now drew his brittle sword or spear or axe and poised to hack this darling flesh, hack and hack and hack at skin so sweet and tender, made for kisses, slow hands, trickling water – not for sword, not for spear, not for axe; not for mindless excess, stupid orders, silly leaders, sillier followers.

I swept the scene away. I drowned the legions, all the colors, standards, pikes and horses on their way now down the drain and to the ocean, on their way with all the bubbles, sinking armor, stupid orders, stinking leaders, silly followers.

Again she laughed. She said, “I cannot tell the future dear, nor predict it from your fits. Am I an augury of love? Or love itself? Who knows? Accept the present, dear,
And dear, accept the gift.” 


Posted in art, love, lucid dreaming, poetry, stupid war | 7 Comments

what if?

What if we really couldn’t afford to take care of our elderly, infirm, sick, dying, homeless, wounded, maimed, disabled, crazy… ? What if even Defense had a budget so tight the argument over whether to pay for one B-1 Bomber or instead, pay for city schools, hospitals, firetrucks, meals, medicine, shelter simply evaporated. Evaporated into listless, desultory conversations about the way things used to be when it seemed that we had choices. It seemed we had choices and if we argued our preferences reason – and kindness – just might in the end prevail.

But then to get to what seems to be the end of the line and find that survival means paring down to essentials, eliminating the niceties, the superfluous, the frills, in just the way we do when stripping to fight – stripping ourselves of binding wraps, stripping our enemies of their humanity. We have to see them as not-people, as not-us, or suffer as we slay them. Even if we don’t slay but simply walk away, allowing them to not-thrive to their very deaths, it will be easier if they don’t seem human.

Will our sense of humor keep pace with our sense of the tragic, the flawed, the foolish if meaning and hope gurgle away? We are on a foundering ship but if we can, at least sometimes – laugh at life, at ourselves, at death, even as we throw the weak and helpless overboard, even as we know that we will inevitably follow them – then maybe we buy ourselves, and our healthy children, and our able friends – a little more time. Then we might survive. Then we might even survive to be worth something, remembering we did what we had to do in a time when there was no time for second guessing, and precious little time for tears. Laughter makes the gods crazy. If we want to outgrow them we need to laugh often and we need to laugh long. It wouldn’t hurt to go ahead and start laughing now.

… half-baked thoughts generated out of a National Geographic article on the Human population fast approaching 7 billion people. Happy New Epoch, everybody.

Images by 

Sebastião Salgado.

Posted in ...into the Valley of Death rode the Seven Billion, fragments, Global Poverty, global weather change, Mewling, overpopulation, Sebastião Salgado, the Great Re-Depression | 5 Comments

happy new year everyone

I hope the year proves to be really wonderful for all of us. I raise my little glass of air to you and yours. May we prosper, may we thrive, may we know meaning, love, and joy. May our paths be full of light and may we be invisible to the darkness. And to the darkmess.

Let’s look out for each other, drink more water, share strengths and skills, look around to see the individuals, currents and movements we were really meant to share our lives, our being with and move in those directions.

All the best,

Rick

Posted in wishes for the new year | Leave a comment

work in progress

Moved into new studio in the Spring of 2010 and started new canvas (6′ x 20′, minor monsterpiece). (Pics should be 2 post down from this one.) That work interrupted shortly thereafter by life and work. Finished in September painting on “Cowboys and Aliens” movie. Civilized hours, good people to work with. Home again now, centering down, contemplating the approach of my 2nd Saturn Return. (What do I want to let go of? What do I want to keep this time around?)

Thirty years ago the choice seemed perish or change. I changed, (had to, I’m just not as tough as my companeros who took things to the very bitter end) but I still wrestle with familiar demons. We spin through space (real?), across time (not real?) and splat against choices and endings: some immediately or ultimately fatal, some just painful new beginnings seasoning us for more of the same.

The issues may be familiar but I am thirty years older. Saturn may be positioned again as it was at the time of my birth but everything has also moved – along with all the rest of the stars in this spiral galactic arm – to some new place in the heavens. The idea of the Return is one more useful metaphor, this time borrowed from astrology. A poetic concept that speaks to me as I contemplate my years on the planet, and the ways in which I would like to spend the years that remain.

The life, I suppose, is the real work in progress. I have not been keeping this blog current. Life with a two year old, a ten year old, a 37 year old with kids of his own, a partner still stunning after all these years, my freelance work in the film industry means posts here are now few and far between. I see from the blog stats that people still check in from time to time. I want to thank and send out my best wishes to all who stop by here.

 

Posted in art, Broadus and Ada, cowboys and aliens, painting, poetry, Saturn Return, set painting, stories, the art of recovery, wall sized sketchbook, work in progress | Leave a comment

amurin

her bio, lifted from “Stop and Wander“, followed by a comment also sifted from there.

amuirin- I’m a blue-skinned bellydancer from the planet Melio 5 (not to be confused with the much more infamous Melio 15, home of Whilse Cornflapper, the 8 tongued double jointed gigolo/horse bandit). I have long, glittery pink hair and three earth degrees in Home Economics, Feminist Studies, and Deviant Psychology. I love horse back riding, long walks in the swamps and double bacon cheeseburgers with chocolate coated puppydog tails. I have been searching for a mate for a long time, but it’s hard to find an earthling who sings like David Bowie and can breathe underwater.

My goal in life is to someday harness my energies to write a big book of lies, instead of just typing small, sorry, manageable ones.

I live here. coastline2.jpg

That’s often enough to make people jealous.

……………………….

Amurin, I enjoy the rhythms I find in your writing – rhythms of breathing, waking, sleeping, tossing and turning, coming and going, moon rise and moon set, the dark troughs and translucent spattering crests of waves breaking, opening, merging, receiving -

of friends disappearing, vanishing, sometimes returning and time unrolling out to its end over nothing, or something? I have to wonder if we all scrawl the same questions across our creations? “Who are we? What are we? Where do we come from? Where are we going?”

 

……………………….

Posted in amuirin, best bios, friendshp, poetry, stop and wander, storytelling, writing | 2 Comments

work in progress

Posted in addiction, art, below the line, Broadus and Ada, charcoal drawing, cowboys and aliens, new studio, painting, Saturn Return, set painting, wall sized roughs, work in progress | Leave a comment

ada crazy hair

our little firecracker turned 2 on the 4th of July. I’ve been away from blogging (and painting and writing) for quite a few months. Work, family, a nest full of kids can do that. Does it to me anyway. Starting again with family pictures is a way of re-introducing and re-centering myself. I’m finished with my most recent movie project and have a little time at home now to get back to the writing, painting, making up stories. I would wish for more time at home but with half the country out of work it doesn’t seem the time to turn down a paying job. Not until my famous artist career lumps out of low gear anyway.

I’m trying to puzzle out how to make a gallery of pics I can then link to from this page, from one photo maybe, rather that have the whole gallery here. My wordpress skills are rusty from disuse. Can anyone tell me how to do that? Do I need to link to picasa or some other outside photo storage system?

Posted in ada corinna meridian swinton, cynthia webster, family and friends, is this love?, jason bruno, naomi swinton, spencer broadus aurelius mobbs, this is love, will scarlet and sabine violet | 3 Comments

firecracker girl turns 2

Ada, our 4th of July baby. I’m returning to something I wrote after she arrived. I made it up of course. I imagine it will be a few more years before she can tell me what it was really like.

The Daughter’s Song

I swim through the darkness, always upward, my eyes open,
looking ahead through the streaming dark water
to the wavering image of my father, smiling,
holding my eyes as I kick to him.
He knows the joy of my kicks and wriggles,
my speed in the water,
my delight at finding myself here,
and once more, a girl.
I rejoice in my strength,

reach for him through my image,
my image held, once again, as a twist of wind on water.

For a split second his blue eyes and broad smile overlay mine,
we see through each others eyes,
I touch his face, his rough beard, his strong hands take mine
and the image wavers but the love never does.

The wind whistles around us, singing the song it always sings
when I come back in. The birth song of ending, of beginning,

of having and holding, finding and releasing,
letting go and losing and finding and touching and singing

and losing and finding again.

Posted in Broadus and Ada, firecracker girl, home birth, jason bruno, kiss of the wind, naomi swinton, poetry, supernatural bridge, works in progress | 5 Comments

hello again…

Friends have left notes here over the past weeks and I have either been too busy – or too idle – to respond. I’m reluctant to return to this blog. Keeping it up requires mental and emotional space I don’t have to spare now. I sometimes think of starting a new one – anonymous this time, a place where I could post without self-consciousness.

Deb Szczech Zabel – such a great name – left a note here the other day which led me back to another post and the thread of our conversation, which was about missing friends and losing loved ones. I am re-posting the poem I found there, one I haven’t thought of in a while. Goodnight Marcia Ryder, and now so many others, wherever you are.

The Awakening

…………………………………………………………………………………………………

Poem for the Family

What so deeply underlies our baseline conceptions that fathom weights turn in circles and loop like one seeking hope in the ocean, swimming in waters far beyond waters we know?

What over-arches our thinking from such a far distance we can only guess… Maybe…. as above, so below?

What holds us here like the unknown unseeable holds the mosaic total?

Father swings through the trees, he wrestles crocodiles, white men, personal demons. I see a small jewel – green hills and blue ocean – rotating inside the compass of heaven. Fine silver threads in circles and spirals, fractured pinpoints of gold, ruby and emerald hang in a canopy of velvet. The absence of light does not equal darkness; sight shatters on far-away anvils and leaves hammer shards, finally silent.

Through transparent eyelids I watch a sandstorm cover the sun. Twilight rides not on light but whips around from darkness, a rude wind marshaling vast killing wings. Between sight and knowing are clear jelly curtains and outside, the mean blur of teeth. The wind is an iron-framed plow; a rusty, steaming, oil -flecked  stallion with shoes of blue steel, throwing up sand, clacking, spitting and clattering.

It is a torn accordion, wheezing and whistling, entropy compressed and then tortured through ripped leather fittings. The wind hits the dunes with cutting fists of diamond. It is here that my mother nurses her husband. She waits down the wind, the triumph of darkness, the blowing sand peeling skin, carving bones. As the rocks are ground down Mother swings Father onto the wind and leaps on behind him.

She seizes a good night not to go gentle in and leans to the stallion’s ear hissing: Is this the worst you can do, evil thing? A maniac riding a maniac wind, heels hard in its ribcage, fists in its mane, holding a man who is dying. She drives her heels in, she spurs the wind on, into the well of souls that they came from. The wind sends it’s unrest, it’s hornets and locusts but nothing remains here to kill or consume except death, and death is dying.

Time has unrolled to its end over nothing and no new myth comes. No milk streams through space from her breasts, no planets or galaxies spring from her forehead, or anus and he’s just crazy, with crazy thoughts, like: The child beside the elephant is so small, yet the elephant obeys him.

Higher now than she has ever been, she holds her husband through the driest time. The black wings of another wind sweep down. The ground turns upside down and vanishes. Stars take the place of the sand. Silence and stillness replace sound and movement and now the unteaching, in earnest, begins.

walking on water

Posted in my mythology, poetry, sun and moon, Uncategorized, walking on water | 18 Comments

How Many Stories Can A Picture Tell?

Catherine Nesbitt called the other day to buy a painting. It was her husband’s birthday and the painting gave Jim pleasure so she wanted him to have it. If the truth be told it wasn’t her favorite. The other painting they have been holding in safekeeping for me in North Carolina was actually the favorite, but that is one my 9 year old painted with me two years ago, when he was 7, and for a lot of reasons, mostly sentimental, we are not ready to part with it yet.

But Jim likes the other one a lot, too, and so we made the deal. I told her the image had been used as a writing prompt on the Storybook Collaborative and there might be writing that could come along with it and which might increase Jim’s pleasure. Of course she wanted to see what there was to see and so I dug to see what ekphrasis pieces people might have written about the painting. The painting to me was a constellation of images and I couldn’t remember, really, what might have been written. I hoped I would find something.

As luck would have it, I did find some things. I will post the image and the links to the writing below, because I think the story is interesting.

loopy heart

Loopy Heart (a.k.a. Mobius Heart: a.k.a. The Wheelbarrow Woman); mixed media,oils and charcoal on canvas, approx. 4’ x 3’

The first piece of writing I found was:

teach me death , by whypaisley

The second was:

Another Fine Day, by Doug Palmer

The third:

winged ventricle, from marlow44 (glenn buttkus)

(Click on the links to sample the flavor of their writing.)

And I was surprised to find that the third piece was my own, which I wrote in gibberish and then translated, and which I had entirely forgotten. I wrote the nonsense/sound poem for fun. The “translation” was something I did to squeeze a little more fun from the silly-talk. Both may be found here:

now-the-creepers-in-the-evergrees-and-translation-thru-line-14/

In my mind the poem and the painting fit somehow. Maybe because the painting reminded me of children’s book illustrations I grew up with. Sometimes I’ll look at a painting and wonder, where on earth did that come from? Then I’ll open some old children’s book, one of the Childcraft* series from the ‘50’s, say, and see a border illustration around a page and think, hmmm, that’s where they come from.

The painting itself was part of a series, in that they were all painted at roughly the same time. I try to do it that way – to always have multiple projects going – to protect myself from the tendency to torture a painting to death when I have only the one in front of me. With multiple projects I can turn from one to another when I run out of ideas for the first, working on the second, or third, or fourth, or fifth until ideas and a sense of direction for the first piece returns, or a sense of completion sets in.

Happy Birthday, Jim, best wishes always.

* Childcraft: hours of serene, happy, absorbed, enjoyment: projects, mythologies, stories, poetry, games, how to, and more.

Childcraft is also, I found after rediscovering the series 10 or 12 years ago in a thrift shop, easily recognizable as part of the institutionally racist, mid-century, white male dominated culture insinuating itself into every aspect of the lives of those of us growing up in the good old U.S. of A at the time.

Which is to say, it was invisible. To me, anyway. Like Crayola’s pink crayons, which were called “Flesh”, and the dusky red/burnt sienna, which was called “Indian Red”. Quite likely invisible to the authors of the series, as well. What am I overlooking today?

Posted in art, childcraft books, collaborative storybook, Crayola crayons, creative process, Doug Palmer, ekphrasis, image prompts, institutional racism, Jim and Cathleen Nesbitt, painting, poetry, selling art, the wheelbarrow woman, whypaisley, Wilmington NC | 7 Comments

image prompts

Nanda Sosa just emailed me the pictures below, which are of paintings hanging on the walls of her home in Caracas. I had forgotten them. Which means it has been too long since I visited that beautiful, amazing, troubled country and and enjoyed her beautiful, amazing people. Let’s hope sane leadership emerges soon.

Working on a year-long string of films took me into the magic but grueling land of below-the-line movie making, interrupting the flow of weekly prompts I had been posting here. I’m still not back in the studio so I won’t be posting images regularly until I am. But if anyone sees a story here and wants post a link to it in the comments section below, well, feel free. Maybe it will get the motor turning over again.

For samples of what others have done, click on the Storybook Collaborative link and scroll down.

totem2

Balancing Act, latex house paint and charcoal, approx 6′ x 4′, Courtesy of Maria Fernanda Sosa.

totem1

I have forgotten what I named this. Mixed media on bleed (reverse) of printed English linen. I wish I could find more. Approx. 3′ x 4′. Collection of Maria Fernanda Sosa.

Posted in art, below the line, ekphrasis, image prompts, maria fernanda sosa, painting, storybook collaborative, Venezuela, work in progress | 5 Comments

story marathon

Done. Story on demand for Scott Card’s six day writing intensive. I left the outline in the middle of the 1st paragraph and after that I never knew where the next sentence would take me. The story shows it but there is enough good there to continue working on it.

Card has an interesting thing to say about writer’s block. He sees it, if I understood him, as the mind shutting down because we are bored with the story, or have been untrue to the needs of the characters for fuller, richer development. His answer is to back up to where we were excited about the story and to put away or discard the parts where we had gotten lazy, or turned away because letting the story become what it needed to become was too much work, or we thought we didn’t know how to do it. According to Scott, when we follow this rule the zest for the story returns, the block evaporates, we are no longer shut down due to following an untrue path.

I would recommend this workshop to any serious writer. I’ll post the story after I take it to another level.

Posted in completion, idea generation, orson scott card, stories, storybook collaborative, Uncle Orson's Writing Class and Literary Boot Camp, works in progress, writing | 4 Comments

wish

i wish i was there. i wish
i was almost anywhere but here.
most especially though,
i wish i was there, where you are.

these people are weird
and this place is strange.
the stars don’t look right,
neither the water
and the trees are all wrong.

how did i get here?
how long do i stay here?
do i really need to be here?
what was i thinking?

the higher power calls me:
hark it sings, hark hark hark,
hark hark hark hark hark hark hark.

the lower power though,
it has a fuller sound.
its sound is louder, rounder, hotter, redder.
it hisses more, and releases steam.
it has fur and juice and teeth,
runs faster, and closer to the ground.
i sure would like to be there. mmmmm…
i sure would like to be there.

we could do something with that power.
we could make something with that power.
if i don’t do something with that power…
i have to do something with that power.

maybe i should go home now.
at least i should call home now,
i could say, “honey,
put the phone down,
close your eyes,
smile.

just put the phone down
close your eyes, smile

i remember the smile
your kisses came in

i remember the hunger
the meeting, our hands.

Posted in distance, higher power, kisses, lower power, travel, wishes | 1 Comment

rikki once tikki now taviless

al and rick on the back lot, Hudsucker Proxy, The Crow

Al-x Chamyan and yours truly outside the model shop on "The Crow". I made up one after another of these cityscape "groundrows" to fill in the spaces beyond the last buildings of the miniature city the model makers built. Add lights and fog and the city seemed to sprawl in all directions. Al was working in construction on the same show. He rode his unicycle around the studio, sometimes juggling or playing his violin as he went. Favorite Al quote: "Carnival people? Oh yeah, they're pretty much just like movie people, only with integrity." By which I believe he meant that Carnival People know they are Carnies, but movie people think that they are something else.

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Oh, Naomio, де ви? Ти зник в самій тонкої в важнічать

I was hoping for an emotionally clear space before heading out later in the week. Instead, I am frazzled to frizzled nub. And very short, too. Much shorter than I used to be, notwithstanding all the years I have spent trying to grow up. I am shorter now than I have ever been, except when I was smaller. I think I am down to about 3 feet, 11 inches. I am looking up at the people I used to look down on, just like they said would happen if I was not careful about the things I said and did, and the ways I said and did them.

I must have said some awful things, because I am even shorter now than I was a few minutes ago. My feet don’t reach the floor anymore and I have to keep sliding this laptop closer to the edge of the desk because my arms don’t go as far as they used to.

Well, I think I had better say good-by and go look for that pill that will make me taller. The ones that mother gave me didn’t do anything at all. But I have found some other ones that did all kinds of crazy things, made me tingle all over, weep, throw up, fall into fascinated gazination. There was one that turned my body into a wave, a long, extended one. It was so long that the front of me lost track of the back of me and I had a hard time particularizing myself again, and when I did, my particles were mostly in Egypt and I had to put them back together on the fly since apparently upon arriving I managed to really piss off the locals. I had to gigolo myself all the way back to America – which took a while because I wasn’t very good at it and because my particles were still arranging and rearranging themselves, which scared the ladies or the occasional gentleman I was lucky enough to find. I got slung overboard from a cruise liner once because, while particularizing, an ear and seven toes fell off and the woman wouldn’t stop screaming when she found them in the bed. The crew didn’t like it and made short work of me.

But I made it back somehow. I am having to jump on the keys to type now so I am going to say goodbye and go look for a large dung beetle to carry me to the medicine cabinet to look for those pills while there is still time.

Я тебе дуже люблю, naomio.

Your Little Rickie once tikki tavi but now so diminished. My tavi fell off and my tikki is starting to feel loose, so I’m gonna git gone before the whole mess evaporates, like Charlie’s did, last Thursda

Posted in Al-x, Alex Chamyan, carnival people, gigolo, half as good as rain and the people agree, my summer vacation, naomio, particularity, physics and slow jowls, pills, rikki tikki tavi, sliding out of the looking glass and onto the floor, twice as good as rain and the people agree, wave and pparticle ppparticle and wave | 4 Comments

I came, I bathed, I howled

OnRemovingADogFromABoy

There was a night when the lights went out – it was only for a second, but when they came back up everything had changed. I was dripping wet from the bath, rain was coming down in buckets outside and thunder rumbled, now from near, now from far, and occasionally with a crash that sounded just overhead.

I wasn’t worried about bathing during a lightening storm. I’ve always done pretty much what I wanted to do. Not to bait or tempt fate but neither afraid of small probabilities.

I was rising from my bath when the lights flickered and, suddenly dizzy, I reached for the wall to steady myself. I felt a small, rapid stabbing in the palm of my hand and felt a flash of  light – that is the only way I can describe it – fill my body. I looked down to see steam floating on the surface of the water and in the steam small sparkling lights the size of summer gnats. They moved this way and that in small circles and spirals and winked out as I watched.

But I had no time for the lights, no matter how pretty or fascinating, for it was my feet and legs which drew my attention and drained human feeling from my heart. One moment I am lean and tanned, the next I am furred like a dog, with a wiry coat like an airedale, but the color of a gray wolf down to the twisted yellow nails of my misshapen but still human feet.

I jumped from the water – rather I bounded from the water and twisted in mid-air, crashing down on the baby’s bath toys cluttering the bathroom floor and catching sight of myself in the mirror as I spun. The fur ran from my feet and legs to the middle of my chest, sprouting there even as I watched, new fine threads undulating softly then quickly thickening to the gray coarseness of the coat covering my legs and chest and throat. In the blink of an eye the fur covered the backs of my hands, my cheeks, jowls, brow and the bridge of my nose.

I sat down on the edge of the tub. A dream, a vision, a waking nightmare like ones I had experienced as a teen but which had not troubled me since. What else could it be? I spend half my life in my imagination. Something had rattled loose with the noise and thunder…I opened my eyes. My legs, the backs of my hands, my face in the mirror – the transformation was complete.

If I wasn’t dreaming, or ill, what could this be? But maybe I was ill, or sick or hurt! Maybe I had been struck by lightening. Maybe I couldn’t see it but I was actually lying on the floor, dying, and life was preparing me for the transition. Well, if that was the case then I wasn’t ready. Kids too young, still loved my wife, too much unfinished business. I closed my eyes and imagined bending down over my unconscious body, whispering into my ear like a lifeguard might, “Come back, you are not ready, this is not your time. There is too much left to do. Come back, we need you, come back.”

There was a sound at my back, from the bathroom door. The vision of myself beside my body vanished and I rose from my seat on the edge of the tub.

It was my daughter, just a little over one year old and now walking. She pushed the door open and her rapt expression turned joyous.

“Doggie!” she cried, the only word beside mama and uh-oh! that she knew. She toddled over, and threw her arms around my furry legs. I looked up to see my wife and son regarding me from the doorway. My wife was slowly shaking her head back and forth, her lips pursed, mirth barely contained. My son was staring in happy amazement.

“Cool!” he said, “I’ll go get some doggie treats from the neighbors.” He ran from the room.

“See if you can borrow a leash!” she called after him. Then she looked back at me.

“I like it,” she said. “It’s you.”

Posted in freewriting, making up stories, stories, storytelling | 6 Comments

gerard manley hopkins

nanda's painting

This is something I painted for Maria Fernanda Sosa, rolled up and carried to Venezuela to deliver to her. I probably owed her some money, I can’t remember now. Or maybe it was because her daughter, Fernanda Sosa, asked for it and I never could deny her. In any event this picture just surfaced. Nanda, if you read this, send me some decent pictures, please.

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Gerard Manley Hopkins, ends his poem, “God’s Grandeur”, with the line,

“…Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.”

In the previous post I matched one of my paintings with a poem or song I wrote some time ago. Both the song and the image have always brought a favorite poem by Hopkins to mind. When amuirin asked why I referenced Hopkins in the post I wanted to share the private reference and his poem.

God’s Grandeur

The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil;
And wears man’s smudge and shares man’s smell: the soil
Is bare now, nor can foot feel, being shod.

And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs—
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.

by Gerard Manley Hopkins (1844 to 1889)

I have always loved the poem, the poet’s love of wordplay and especially the last line. Not to mention the interesting man; an Anglican convert to Catholicism who became a Jesuit priest, a wordsmith, and who died young. Wikipedia has this to say about his death,

“…Although he probably suffered from what today might be diagnosed as either bipolar disorder or chronic unipolar depression, and battled a deep sense of anguish throughout his life, upon his death bed he evidently overcame some of that despondency, at times stygian in its intensity: his last words were “I am so happy, I am so happy.”

I just noticed the date of his death and see he was only 44 when he died. It makes me think of passages Robertson Davies wrote in Fifth Business, or maybe, What’s Bred in the Bone, where a priest is reflecting on his evolving understanding of the life of Jesus. The priest (if I remember this correctly), now an old man, is speaking to someone he knew in his youth, when he was new to the priesthood and his fervor was strong and his ideas about Christ and religion seemingly set for life.

“How do you feel about your religion now? The same as you did then?” his questioner asks.

“I am more than twice as old now as Jesus was when he died,” said the old priest. “Things do look very different, from where I am today.”

Forgive the paraphrasing and the misremembering, all you Davies fans. What struck me at the time I read the passage was the likely truth of the old man’s words. I was younger then – 33 or 34, about the age of Jesus when he died – and I thought that some day I might look back on those words and weigh them.

Well, I am too busy to weigh them now. All I can do is hold them up in the light of this coffee shop window and turn them a bit. They seem true, the light shines through them. I can reflect on the life and pain and glory of Gerard Manley Hopkins from a new perspective, that of outliving his 44 years; that of surviving some hellish years of my own.

I don’t have any great wisdom or insight to offer, just that yes, things do look different from the perch at the end of the branch. Flight is inviting, it always has been. Endurance is important, if only because we say it is. Not leaving the branch before our time means everything in the world to those who’s lives we light, and to those whom in turn light our own.

Thank you, amuirin, for your question. I am so glad you are able to stop and wander.

Posted in 'tis a gift to be simple, amuirin, awakening, christ, fernanda sosa, fifth business, gerard manley hopkins, God's Grandeur, jesuits, nanda, poetry, stop and wander, supernatural bridge, what's bred in the bone, with warm breast and with ah! bright wings. | 2 Comments

song for amuirin

Ah!BrightWings

Now Cleo faced the nighttime

she thought the urge a little strange

her pencil and papers

in a stack before her

hoping darkness

her thoughts would arrange.

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She stared out of the window

thought of her lover sleeping alone

and all of the children

and all of the kisses

and all of their future undone.

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And the nighttime drifted by her

and she moved along curled in it

past windows of houses

waiting for morning

searching for a someday

that might be yet.

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There must still be room for trying

for this thing that makes life complete,

for the laughter of children

budging doubt into knowing,

she waited for the stars to speak.

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But the stars speak only in rainbows,

speak in flickers too quick to record,

but you catch what you can

plan to talk to the man

of the future you can still afford.

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Because nothing never springs from something.

Something always something begets.

Be it more be it less

be it good as your guess

be it good as honest effort deserves.

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There’s a path out in the forest

forever closed to all but the sure.

You’ll go there tomorrow

if he will go also

and pray the path

your steps will endure.

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And the darkness grows a little older,

grows old and round as motherhood.

Old as part seeking wholeness,

the crack in the moment

morning is born,

perhaps the day can be good.

Christ! Perhaps the day can be good.

Posted in amuirin, children, cleo, gerard manley hopkins, image prompts, paint dept., painting, passion, poem, poetry, relationships, stop and wander, with warm breast and with ah! bright wings. | 4 Comments

in with the whirl, out with the swirl

don’t struggle against the irresistible: the answer to surviving a fall into a whirlpool.

A small madness took me, and now I am back from Chicago. Four hours in a line stretching around a city block, a five minute interview and a thank you very much and I’m out on the street again, glad I didn’t haul a lot of crap up with me. It looked like somewhere between 1,500 to 2,000 artists were there in line. All genders, sexes, sizes, ages, colors and probably the whole human range of maturity, ability, native talent and training, attitude, aptitude, genius.

Informal portfolio reviews were happening all down the line as people got to know their neighbors and shared their work. I stood in line with theresa handy, who showed us beautiful, evocative painted landscapes with structures, figures, bare trees and other elements drawn from nature, placed in her pictures and half concealed by her washes and stark design and muted colors. She lives in St. Paul and shows in Chicago and Minneapolis. I would trade work with her. With any of these artists, actually.

theresa handy

Wading Boy, by Theresa Handy

christopher stuart, of Noblesville, IN, was next to open his portfolio to us there on the sidewalk. Multi-talented, capable and brilliant; well known as a product designer as well as a sculptor and a hell of a painter. Check out his website.

p_Noblesville_Co-op

Noblesville Co-op by Christopher Stuart

Nancy Pirri, Chicago artist, and a spirited magnet, draws and prints on ceramic vessels and large sculptural pieces and figures. Textured and evocative work by one waiting in line with the rest of us.

ancestry1

from Ancestry series, tiles by Nanci Pirri

Chicago Artist, Rodney Swanstrom showed us prints of paintings based on geometric skylight shapes, using interference colors which do not read well in this photo but shimmer in life.

skylight-forest-o

Skylight Forest, by Rodney Swanstrom

I wish I had collected more contact info as others around us were equally interesting and accomplished artists. Up and down the three block line people spontaneously divided into groups and clusters and shared their work with each other. Too bad the energy and talent could not have been further mobilized by the event organizers to somehow offer a larger show and share event.

So, while my trip was impulse driven and still strikes me as and absurd thing to do with my time and money, it was also an exercise in following through with something new. I met and enjoyed people outside my circle, pulled together my portfolio and prioritized my intention to move away from film work and back into my studio.

Also, I saw a little bit of Chicago, and I want to see more.

Posted in 2, 2000 artists in 4 hours, Bravo's Untitled Art Project, bravotv.com/casting, christopher stuart, Nanci Pirri, rodney swanstrom, theresa handy | 7 Comments

Blog Reorganization and Bravo cattle call update

Returning from work taking me so many months away from this blog I have started back by rearranging the furniture here (so to speak), an old, old way of getting control over my life. I used to do it so often I finally put everything in my studio on wheels – workbenches, couches, chairs, work stools, tables, easels. I even put myself on wheels, rollerblades, constantly rearranging myself, I suppose. I’ll look for some studio pics to post later.

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Bravo’s Untitled Art Project


“It’s so wrong, it’s right.”

“We have all seen you make a fool of yourself, but not on national TV. Do it.”

“You are a casting Director’s dream.” (But you should get a haircut, buy some shoes and fix that broken tooth.)

Great response to the previous post concerning Bravo’s Untitled Art Project. Awesome. Hits shot through the ceiling. Most had nothing to do with me but indicate a high level of interest in the subject. Good luck, all you contenders.

My plan is to have fun with it, use the application forms and requirements to answer questions I need to be asking myself and to push myself to do things I need to be doing anyway: putting together a portfolio of current work and greatest hits, cleaning up this blog , bringing my resume up to date, thinking about my work in the film industry and my desire to move my career to the direction of becoming a rich and famous artist – or a self-supporting one, at least.

The wisdom of the ancients is that everything passes and my experience so far confirms it. If I had a turkey and a bucket of frogs for every time I have publicly embarrassed myself I would truck them to Central Park and release them, and then we’d really have some fun. So I’m not worried. Too much. If I’d gone ahead and shot myself, like sometimes I thought I oughta, well, there wouldn’t be much left of me, now would there?

So I’ll fly to Chicago Wednesday morning, attend the casting call Thursday morning, and fly back to Albuquerque Friday morning. Call will be held at the School of the Art Institute of Chicago. A place I have always wanted to see. Anyone want to offer a couch to crash on or suggest a cheap motel near the school?

I’ll be the guy in the clown suit, life in a backpack, pushing a shopping cart full of old newspapers, crushed carnival horns, rusted crap (I love rust), a sketchbook, a notebook, an ocean, a seahorse, marbles, some shiny hooks, snakes enough for two…  also a basket of frogs, a cornfield, a waterfall, a house big enough for all the family, and all the friends, and all the ghosts of our ancestors, the unborn, and everyone who never had a chance, and all those who got burned, and all who are frightened, and all who are alone, and all who search for meaning, and all who follow a calling, and all who know the gods, in all their many shapes and forms, and all who recognize them in the people around them, and all who don’t.

I’ve heard this somewhere before. Oh, yeah, here.

Posted in blog history, Bravo's Untitled Art Project, Chicago, dreams, hatrack.com, images, notable collaborations, storybook collaborative, tapestry, Uncle Orson's Writing Class and Literary Boot Camp, words | 3 Comments

War Games; and Bravo’s UNTITLED ART PROJECT

paintball hero

We played paintball in the mountains here, with friends from work. I sprained my ankle and broke a rib and had quarter sized bruises all over my body. I limped for a week and still hold my side when I laugh or cough. It was great. We played capture the flag, every man for himself, king of the hill, team against team, assassinate the president (or protect the president, depending upon the side we were on.) In this photo Broadus was the president. He is displaying his helmet, and the green ooze from the shot Danny got off when he jumped up out of the brush and shot him between the eyes. We, the protectors, didn’t know that the game was supposed to be over when the president was shot. So we shot Danny, dozens of times, and then we shot him some more, just for good measure.

DSCF3252

Broadus found a killer place to wait in ambush. He got us all, one by one.

DSCF3260

the gods of war call, and we go.

DSCF3244

we go nuts, but we go.

But there is another side to Mr B, one we call Ferdinand the Bull. He drags his reading chair to the soccer field, opens his book, and the world around him disappears as the world inside his hands opens and surrounds him. Sometimes, when we know he is really, really in another world we throw things at him, or drop the baby in his lap. But usually, we leave him alone. He is amazing.

ferdinand the bull

Now, tonight: who am I?

Eating raw broccoli from the garden, other green things, lots of bean burritos. Almost bit into a snail hidden among the curly lettuce. Curly snail foot, greenish brown and speckled, riding curly leaves, frizzy edged lettuce.

Tripping over crap in the hallway. Dirty laundry, tools, brushes, books, reference material, mail on the floor; unfolded clean laundry spilling over the living room couch. Ruined paint shoes… all I have left now. Choose any two.

Managing to keep garden watered and critters fed – 2 pigmy hedgehogs from Madagascar or Zanzibar, some such place – and the fish alive, and in clean tanks, too, but all other housekeeping has gone to hell.

Writing from the bathtub. Decided not to drown myself but should be careful of electrocution. When is the last time I backed up this macbook pro?

Finished 10 week gig on Paul, a new movie in production here, brought to you by the British comedy team behind Shawn of the Dead, and Hot Fuzz. No scoops to be found here but will sell secrets cheap through back door channels. I’ll find or make up some interesting lies. Cheap, cheap, cheap, just like the little birdy said.

I have got to be out of my mind to write this here, but here I go anyway. I have just filled out the 22 page application for Bravo’s Chicago cattle call for under-recognized and/or mid-career artists who would like to compete in a reality show against others of their own, surely pathetic kind. Okay, I’m speaking for myself now, as I ponder selling out to the man – or to the woman, to be more precise. Sarah Jessica Parker is the executive producer behind this Bravo enterprise. But then, all art is commercial art, yes? Unless one has outside means of support. It is just a matter of degree. And dignity. There is that.

So, wind me up for ten weeks, then release me from a movie while my family, my anchors, are away and all the weirdness rises to the top, just like Papa Jung said. The task of the human, he said, is to reconcile the opposites we find in our own nature. Fine, but it seems I can’t do it just once and expect the reconciliation to last. I gotta do it over, and over, and over again; meanwhile not letting the laptop slide into the bath.

Family is in NC, where we still have property, business, lots of stuff for Naomi to sort through, pack up, discard, give away, store or send out here. (We came here to NM for a three month gig at United World College. That was two and a half years ago.) Many of my paintings are still there in NC, the ones which were not abducted by my four sisters and taken to Boston to decorate their homes until I pay them back the money I borrowed back when I was a starving artist.

I am digressing. My plan was to reveal the fact that I bought a ticket to fly to Chicago next week to attend a cattle call for artists who think they would like to participate in a reality show to be produced by BRAVO & Ms Parker. Here is an interview Parker gave to ArtNet Magazine about the project, called the Untitled Art Project.

Now why would any self-respecting, stable, mature, experienced, talented and handsome artist want to do such a thing? If you have read this far then you deserve an answer.

  1. Because his son, Jason Bruno, said, “It’s so wrong, it’s right.”
  1. Because his friend, Ian Gold, said, “You are a casting Director’s dream.” (But you should get a haircut, buy some shoes and fix that broken tooth.)
  1. Because one of his oldest and orneriest, closest friends, Venezuelan graphic designer and political activist, Maria Fernanda Sosa, said, “We have all seen you make a fool of yourself, but not on national TV. Do it.”
  1. Because I realized that the application form held questions I need to answer anyway, if I want to move from supporting myself through film work to supporting myself through the work I produce in my studio; and the sifting and sorting and selecting of images is also important to do if I want to take my famous career to the next level.
  1. But the real reason is,  I believe, because the idea sends a shock of fear through me that I can feel down to the webs between my fingers and toes. Thinking about being in front of a camera is like mainlining a vasodilator, or staring straight into the Eye of Mordor.

So of course, I have to do it. #1 son, Jason Bruno, aka “Champ”, understands.

Well, I know I lost most of you during the year of movie work, Naomi’s over-committment, Broadus’ rollicking joy and Ada’s First Year. But maybe some of you do check back from time to time and when you do, you’ll find this long, thin, drawn out scream from someone who used to be just a regular guy but who is now rolling in dough, maybe, or maybe just cringing in embarrassment; or who maybe decided that those grapes probably were sour anyway.

But…. If you would like to be involved, there is something you could do. That is, to select 10 or 20 or however many favorite images from this blog: the storybook collaborative page, or from my website, rickmobbs.com, and email them to me (rickmobbs@gmail.com). Thumbnails are fine, and quick, intuitive selections of however many you want. Don’t trouble it too much. You should be able to drag and drop them. I have to take a portfolio of images to Chicago, and feedback would be interesting to me now. Your selections might help me narrow down my own.

If you want to participate in the show (God love you.) you are a little late, but you can still scramble and maybe pull it together. Twenty-two page application is online here. I only knew about it because last week Lakota sent me an email.

Interesting interview about all this with Magical Elves Casting Director Nick Gilhool on ARTFAGCITY.

So, wish me luck. I look forward to getting back to this blog, reorganizing and updating it, or else abandoning it and starting another one. It has been a rich experience. You are the most important part of it. I don’t want to get too far away from it, or from you.

Love to all,

Rick

p.s here is a photo of a work in progress, for Ada,

ada's pony, ada's world

and another, a storyboard exercise for Jack and the Beanstalk that Broadus and I are collaborating on.

jack and the Beanstalk storyboard, with Broadus

p.p.s almost forgot. Aug. 2nd – 8th I’ll be a participant in a writing workshop organized and led by Orson Scott Card, a favorite author. If I can’t get my famous art career off the ground, maybe I can work on being a famous writer.

p.p.p.s. maybe this blog will get me disqualified from consideration for the show. oh joy, oh sweet relief

Posted in art, art for film and tv, artfagcity, artnet magazine, Bravo Untitled Art Project, bravotv.com/casting, Broadus and Ada, collaborative storybook, family, film work, four sisters, hatrack.com, Ian Gold, jason bruno, Magical Elves, Mormon, naomi swinton, new work, Nick Gilhool, orson scott card, paint dept., paintball, Pretty Matches, reality tv, Sarah Jessica Parker, the writing life, Uncle Orson's Writing Class and Literary Boot Camp, united world college, works in progress | 32 Comments

firecracker girl turns one: (some of) the year in pictures

Happy 4th (now 5th) of July, everyone, and Happy Birthday, Ada Corinna Meridian Swinton.

She is a fierce and funny newcomer, strong and determined. The universe is her home, and for now, we are her country.

Who knows where these kids will go, what they will see, what they will do? We follow our imperative and they fight their way in. We bear, feed, clothe, nurture, protect and educate them. We love and would die for them. Time will tell us who they are and why they have come. Whatever they become, whatever their tasks or missions are to be, whatever joys or sorrows come to them, they will always be our children. They say the beggar supplicates, but the son and daughter appropriate. Appropriate away, children. Broadus has claimed half my studio as his birthright. What happens when Ada claims her share? Or Jason, the grown son, carrying his weight now, and with children of his own? We all move over a little, and make room. I hope they like our music.

july 3, 2008

Naomi, 3 July 2008

july 3, hours later

later in the evening of the same day

working

and a few hours later

yes!

and she’s here

ada

and we call her, Ada.

naomi, broadus & ada, day 1

naomi, broadus & ada, day 1

ada-2

ada-corinna

ada-and-broadus

Now a year has passed since she arrived, moist and pink and howling. She’s feisty, determined, smart and funny. She’s walking! She adores her older brother, Broadus, and in turn he loves, protects and plays with her. We are lucky, happy, and grateful. We are humbled by the beauty in our lives and the strength and love of family and friends. We wish to thank each and all for their love and prayers and help this year. We could not have done it by ourselves.

naomi and ada, at 3 months

rick and ada (1 of 1)

1010_031

(photo by Logan Bunting Mock)

ada-corinna-1-of-1

basket B, basket A

basket B, basket A 2

basket B, Basket A 3

basket B, basket A 4

clown face

1. ada piano

3. n, b, a in backpack

4. R, B & A

5. to see as one

2. clambering, looking, moving about

Ada and Naomi, 11 months

happy boy

and I am out of practice blogging, and now out of time. Tomorrow should be my last day on “Paul”, the movie I am working on. Then to find my place again with my own creative work. We have been working 6 days a week, 12 hours a day for months, leaving only time for family and sleeping. I look forward to catching up with my friends here. Thank you for checking in from time to time and for the notes you have left here. I am looking forward to time in the studio, time with family and friends, and to a week-long writing workshop with Orson Scott Card in August. (Hear me, Pepek?) That should get the wheels turning.

Thank you, Amuirin for the video below, which I lifted from your blog yesterday. It is perfect for Ada’s birthday.

p.s. enigma, thanks for the horoscope. we read it again. it fits.


Posted in ada corinna, ada's first birthday, amuirin, broadus aurelius, callings, egnima, family, homebirth, joyce ellen davis, logan bunting-mock, love, naomi swinton, orson scott card, painting, uncle pepek, works in progress, yael naim | 3 Comments

and now she’s awake

I swam through the darkness, always upward, eyes open

through streaming dark water.

On the other side the wavering image of my father, smiling,

holding my eyes.

We both know the joy of my kicks and wriggles,

my speed through the water,

my delight at finding myself here again

and once again, a girl.

We rejoice in my strength,

my grace, my exhalation of joy.

His reflection and mine merge

the instant I swim through our images,

our twists of the winds on the water.

 

I touch his face, his rough beard, my chubby fingers go

to his strong hands and the love that holds me never wavers.

The wind sings the song it sings of having and holding,

finding and releasing, letting go and losing and finding

and touching and singing again.

Posted in ada corinna, home for a few days, sleeping babies, with rest the poetry returns | 13 Comments

what i saw this morning at 4:30 am as I was leaving Santa Fe

as I was packing to leave the motel to drive to work in Albuquerque

ada-corinna-1-of-13

Posted in ada corinna meridian swinton | 6 Comments

catching up

Anyone following battlestar galactica? I’m way behind. I’m catching up on my motel cable tonight though. I came down here to Carrizozo NM to paint a fork in the road in the desert black, with biodegrable paint.

carrizozo-1-of-1 carrizozo-1-of-1-2

carrizozo-1-of-1-3 carrizozo-1-of-1-4

It will degrade, if it ever rains. Spent the rest of the week on the Carrizozo sets. Great crew. Shooting starts tomorrow. Final touches in the morning then I’m out of this lovely little town. I’ll come back with the family and explore. They will love the wind, the mountains, the mining towns and the desert.

I appreciate all the notes left on the blog (and on facebook) while I have been on this show. I look forward to responding to all of them.

Later, skaters.

Rick

Posted in film work, paint dept., scenic art, the book of eli, works in progress | 4 Comments

home again home again

What a treat to have this time. I’ve been living out of a suitcase in a motel while working in Albuquerque on “The Book of Eli”. My co-workers are extraordinarily gifted and easy to be with and the sets are beautiful, sumptuous, and stark. No photos, sorry, as these are closed sets but I’m sure that when it is released the film will draw a lot of attention.

No time for my own art now. With the world falling apart it doesn’t seem smart to say no to work. We work from 6 in the morning to 6 at night, and soldier on six days a week. I’ve jumped from the art lane to the art factory. I’ll be back in the studio soon enough. Hopefully more collaborations await.

The time I have I spend with family and friends. Broadus, now 9 years old, has developed a love for model rocketry (using rockets and solid fuel engines from Estes Industries). I’m back in my childhood now, doing some things I always wanted to do. Lucky me, Broadus loves it, too.

In debriefing after our launches we have determined a few things. It is best not to launch after dark, things like that. We’ve blown up a few rockets and crashed others and we’ve frozen our butts off out on the soccer field, but we’ve had a great time.

Naomi is as usual, organizing is 12 directions. She and Ada have just returned from 4 days in NYC working with donor organizations funding some large projects in New Orleans. The Las Vegas NM Cold Weather Shelter seems to be a going concern. Folk-singer and songwriter and 7 times Grammy nominee John McCutcheon (www.folkmusic.com), will be playing benefit concerts Valentine’s Day in Santa Fe and the following evening here in Las Vegas NM, to benefit the Rio Gallinas Charter School, The Las Vegas Peace and Justice Center, and Grassroots Leadership, Inc. and their work against the private prison industry/complex  and immigrant family detention centers in NM (and across the country).
UWC-USA will host John’s song-writing workshop Sunday afternoon on the UWC campus (free to UWC students, $20 to others, space limited).  She is also organizing the annual 2009 New Mexico Peace Works Conference – Global Youth Forum and Youth Leadership Workshops, Feb. 20 – 22, 2009, Santa Fe, NM  FREE! Open to 7th – 12th Grade Youth. Please email me or leave a note here if you would like more info.

Here are some pics of the family now… Naomi and Ada and Broadus and me.

naomi-and-ada

broadus-and-ada

broadus-and-draggies-big-brother

rick-and-ada

Posted in 'tis a gift to be simple, art for film and tv, Broadus and Ada, family, John McCutcheon, naomi swinton, new mexico peace works conference, painting, storybook collaborative, uwc-usa | 17 Comments

adapiano,

ada at six months, having a ball, belting out Auld Lang Syne, singing about the times gone by. Gone bye bye.

adapianoplayer-1-of-1

Posted in ada corinna meridian swinton, ada's paino, auld lang syne | 11 Comments

frank rich article

http://www.nytimes.com/2009/01/04/opinion/04rich.html?em

A President Forgotten but Not Gone

Published: January 3, 2009

WE like our failed presidents to be Shakespearean, or at least large enough to inspire Oscar-worthy performances from magnificent tragedians like Frank Langella. So here, too, George W. Bush has let us down. Even the banality of evil is too grandiose a concept for 43. He is not a memorable villain so much as a sometimes affable second banana whom Josh Brolin and Will Ferrell can nail without breaking a sweat. He’s the reckless Yalie Tom Buchanan, not Gatsby. He is smaller than life.

Posted in dangerous morons, frank rich, politics, portraits, stupid war | 2 Comments

good-bye, george

Frank Rich is right, for a moment one can almost feel sorry for him. Until reflecting on the stupid, arrogant, mindless choices that have caused so much ruin, so many deaths and so much sorrow. I can’t think of anything he could do to make amends except to walk out on the world stage, express profound regret, and then shoot himself. Followed in the act by Cheney, Rumsfeld, Rove, and the rest of the and svengalis and sycophants.

And here’s a note to the Secret Service. I’m not suggesting here that anyone should off the president. That’s his job. I am suggesting that the tradition of hari kari has its place, its noble and proper use and that I think it should be employed here. The whole point is to atone and to restore some lost honor. Hardly possible in this case but the attempt would be nice. And the whole mess could have been avoided if only george had called his sponsor and gone to a meeting. Instead he’s used Jesus to justify every evil thing he’s done.

I know, I know. Its not for me to cast stones. The man has to live with himself. It should be enough just to be glad I am not him. I guess he really rubs me the wrong way.

Posted in good riddance | Tagged , , , , | 2 Comments

ada and the man

Ada will be 6 months old tomorrow. She is watching me now from her nest by my side.

Here she is. She’s picked up a new interest.

adapiano

And this blog will be a year old.

Posted in ada corinna, collaborative storybook | 7 Comments

happy new year

happy new year everyone. the best of everything to you.soup-kitchen-witch1

from rick, naomi, broadus and ada

Posted in faith, happy new year!, make a difference, soup kitchen witch | 6 Comments

alone time

is hard to find these days but I have some now and I am puzzling out how to use this blog. I stay away from writing and painting too long – which happens whenever I take a movie job – and I begin to feel dry and a little bit crispy. Not to mention cranky. Great things are…

I work with people I like and admire and I have work I usually enjoy, and that I know has a finite end. When that end comes I rejoin the ranks of the unemployed, and try to put my talents to good use in my studio until the next job comes up.

Ada and Broadus are well again and we are out of fearful parent mode. They are again little wells of life and beauty, sensitivity and intelligence. Joy and trust. B as always is a creative dynamo. Naomi and I are unwinding, releasing the fear and tension that comes with having a really sick child.

We have energy and health and a roof over our heads. A couple of months ago I returned from a meeting complaining to Naomi that I had met a young couple who were sane, sober and homeless and that cold weather was coming and there are no shelters here. She got on the phone and started making calls, seeking volunteers, donors, places that might work as temporary shelter for the homeless here in San Miguel County.

citylights

The upshot is, there is now a cold-weather shelter for the homeless here, thanks to a host of people here. I’ll get a more complete list from Naomi but for now I’ll mention that there would be no shelter without the work of Sharon Seto of UWC-USA and the students of UWC in Montezuma, NM; Pastor Rev. Randy Campbell and the congregation of The First Presbyterian Church of Las Vegas, NM; Rosie Lopez; The Samaritan House; Birdie Jaworski and Daniel; Gallinas Magazine ; Spence and Janet Swinton: and the benefaction of a generous, anonymous donor.

The organizers were hoping to have the location of the shelter rotate between churches, two weeks to a church, staffed by volunteers from the congregations, and others. First Prez has stepped up to the plate but as yet the other churches here have offered to support the project in any way they can except with space and volunteers. Hmmm…..

Who can blame them, really? These are the great unwashed, and they do smell to High Heaven. Naomi and Ada and I staffed the shelter a few nights ago and I know what a difficult commitment it is to take in the homeless, the hopeless, the misguided, the deranged. But it is only for 3 or 4 months of cold weather, and in the meantime people can put their heads together to figure out a more permanent solution to the problem of homelessness in Northern New Mexico.

By the way, if anyone has seen the painting above, “Citylights”, please let me know. It vanished from storage in Boston some years ago. I wish I had a better photo to share with you. Please feel free to tell the story here if you see one. I think I’m back. I won’t be posting as often while I’m working, and the image prompts will be hit or miss. But it is good to be writing. Let me hear from you. Click on “comments” and add yours. I would love to hear what you think about things, most anything.

p.s. more late-breaking good news. (Actually the news has been out for a while, but I’m just getting it.) A poem of mine, Sizzle, was accepted and published in the Nov. issue of the new online journal, protestpoems. Publishing is a first for me. Check out protestpoems and its parent site, babelfruit. I wondered why I got such an unusually high number of hits in early November. As requested, I have for the time being taken the poem down from this blog.

Posted in art, art for film and tv, babelfruit, birdie jaworski, Broadus and Ada, callings, citylights, collaboration, ecphrasis, ekphrasis, faith, film work, first presbyterian church las vegas nm, gallinas magazine, georgia o'keefe movie, homeless shelter, homelessness, image prompts, las vegas nm, let's hope, love, making a difference, naomi swinton, painting, pertussis, picture prompts, poetry, protestpoems, Rev. Randy Campbell, Rosie Lopez, samaritan house, san miguel county, sharon seto, sizzle, spencer and janet swinton, storybook collaborative, Uncategorized, uwc-usa, whooping cough, why does good change take so long?" | 21 Comments

Ada’s better.

Much better. Still some coughing but back to her happy, bouncy, cheerful self. Back to making funny noises and rocking out in her bouncy seat. Thanks for the good energy and warm wishes.

cats

Posted in Ada Swinton, art, kids, pertussis, poetry, whooping cough | 10 Comments